"Róng" in Chinese means melting or fusion. This is the core philosophy of "róng design exhibition". The material of 2016 was copper. 20 designers deconstructed the traditional metal crafts and applied them in contemporary design."Róng" in college: Sichuan Fine Arts Institute and China Academy of Art

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Hangzhou

copper

喜欢从平常生活所需出发进行物件的开发，带着美的思维观察改变日常中点 滴的细节。

Changyong

“柔”这组作品是将铜从普世印象中的坚硬感变化为织物的柔软感的探索。 将极细的铜丝用钩针编织蕾丝的方式编织成织物。编织后的铜成柔软状，不再是 印象中金属的坚硬感。它柔软，轻盈，却又不失铜原本金属的韧性。一根钩针加 一卷铜丝线，便可以完成一物。于是就 有了“柔”这组作品的各种小物，来探 索铜织物的可能性。

以传统失蜡法为工艺基础，对两段成人脊椎和三对盆骨进行重构，脊椎为足， 盆骨作面。原来人体内部结构的“坐具”，如今成了外部使用的“坐具”，不仅是 位置的颠倒，也是极为大胆的设计尝试。

Satan’s Chair

Umbrella Table 是捷克玻璃设计师 Tadeas 在 From 余杭融设计图书馆驻场 期间完成，该作品由朱炳仁铜作坊负责制作。Tadeas 运用了余杭油纸伞的支撑 结构，用铜来替代竹，进而赋予了铜全新的语言：厚重而轻盈。这间作品，会把 人们从纸伞带到铜器，再带回布拉格浓厚的生活气息中去。

Umbrella Table

Objects are made by humans, and designs arise from life, where the most original side of an object is discovered. Based on the traditional craftsmanship, Tiedachu creates new ways of thinking in combination with the large contemporary environment, including the seeking of possibility of fusion between one materials and another, the addition of new attempts like hot melting, annealing, engraving, polishing, etc. With the use of various methods and treatment, it’s likely to achieve brand new dialogue and communication between humans and objects. The blend of various arts and crafts stands up to a continuation from tradition to contemporary.

“Tiedachu” Iron Group

Materials: stainless steel, brass, copperThe “Rorrim” series is a modern imagination of a traditional bronze mirror. Five thousand years ago, copper was normally used to cast into a “tripod” for the country ceremony, after that civilians applied this technique for casting mirrors. “Rorrim” uses a traditional material to re-interpret the function in a modern fashion. 4, 6 or 8 facets of “Rorrim” have dedicated angles, which enables various viewing angles without an additional mechanism. The “mirror polished” surface performs far beyond traditional bronze mirror, furthermore it represents a charming piece of housewares.

Rorrim

Chinese jewelry artist, founder of Xiaochuan Studio, which makes art jewelry and gadgets of the same brand. She is committed to the application of natural aesthetics to the works, whose materials include the following: silk, silver, porcelain, gold and other materials. "Xiaochuan Studio" is engaged in the research and production of art jewelry and gadgets, and tries to find out the relations between human and nature through careful observation of the latter. It is committed to approach the world with a different, more positive attitude.

Ant-drop

他，来自意大利，生活在中国。他对中式的餐具摆放方式很感兴趣，也习惯 了吃白米饭，并爱上了中国清茶。 &nbsp;她，是中国人，曾生活在意大利多年。被意式的餐桌文化深深吸引，爱吃意 大利面，每天都要喝意式浓缩咖啡。&nbsp; 这套餐具系列主要为搪瓷材质。灵感来源于西餐与中餐不同的饮食文化，为 和我们一样选择无国界生活方式的人群而设计，适用于多元文化交融的餐饮。

Her pasta his rice, Her coffee his tea

作品延续了对 mesh 系列的探索，尝试应用可行性，一系列的作品由 mesh 弯折而成，自然分布，同时尝试了这次融倡导的以铜作为主材料，通过手工制作， 数字化加工，形成对设计方法论的全新阐述。

Mesh Series Brass Stool #1

材质：陶瓷、锡、铜阴为水，阳为山，器范合一，和而不同。陶与锡两种材料相融相和、相生相 克，共同演绎一道中国人茶席上的山水风景。山水造型取材于洛神赋，见山见水， 亦山亦水。

Tea set

作品为紫铜香盘，取名“合”，意为材料、观念、感悟在融解之后的再次整 合、组合，静心等待是和这件作品互动所需要的状态。紫铜材质传递一种原始的 厚重感，而置于盘上的熏香是一种轻盈的缥缈，动静、轻重、虚实处于变与不变 之中。通常，熏香燃尽的烟灰呈现的是一种结束，而在此，它可以轻轻的涂抹、 覆盖在香盘的表面，与腐蚀后留下的痕迹进行交融，会渐渐呈现出一种惊喜，用 时间和心情通过燃香的方式和我一起绘画，在此，抚摸传统、静心冥想、感受生 活，由你组合！

Yu follows an inspiration triggered by natural lights caused by an usual material. By applying a specific craft, an industrial made copper net transforms into poetic, organic shaped feather.

紫光檀、大漆、航太铝起 : 六千年前河姆渡大漆工艺&nbsp; 承 : 历代文人生活追求大器极致内敛品味&nbsp; 转 : 现代设计理念融入生活美学的细腻、讲究&nbsp; 合 : 茶文化、航太铝精密加工技术、大漆工艺的同心合力。

Haitanghucheng-Chengfu

本作品的主旨在于表现人们如何与材料的本质相亲近和连接，力求对铜作为 一种传统工艺材料进行简单直接的表现和阐述。&nbsp; 铜作为材料本身有一种浑然天成的优雅，庄重之美，能共鸣与中国式的审美。 在所处的周边中，展现出它的简单，优雅和独特。&nbsp; 我对“流”的兴趣，使我关注人与自然的不停歇的流动和变化。线能表现出一 种自然流动的风貌，桌子与使用者之间不停地联系着，而所用的材质亦是无法被 忽略的。&nbsp; 通过桌子来仿喻瀑布的视觉美，流出板材的精致铜线如同水形成的瀑布，而 铜线自身的重量则决定了桌子的形态和质感，吸引人的正式这种未经深入雕琢的 美。&nbsp; 人们易为美物所吸引，而这正是一种简单，个人的和直观的方式来建立人和 物的关系。 今天的生活方式，我们与自然越来越脱离，也更少地有耐心来欣赏材料的品 质，却只变本加厉地注重材料的消耗，这显然是不合适的。人们对材料不再感动， 欣赏和珍视。我称之为“错误的现代生活方式”。 劝阻这种不顾后果的对材料的耗费，正是云舒品牌的要义。 &nbsp;单纯地欣赏材料所流露出的自然之美，是一种最高的尊重。这是禅的基本， 也深深植根于传统中国的工艺中。

Waterfall Table

以传统失蜡法为工艺基础,将传统失蜡铸铜工艺善于表现的雕塑艺术性和现 代家居产品融合，表现大自然中有机形态的形式美感。自然与人，传统与现代， 这两层关系在“生肌”之中可管窥一二，其间流露的便是自然与人的生命本真状 态与一种生命延续，这是自然固有的诗意，结实而悠远。

Shengji

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Founded by PINWU Design Studio in 2015, Róng Design Library is the first library in China focusing on traditional handcrafts and materials and a non-profit organization.
The core mission is to preserve the knowledge of Chinese traditional crafts and related materials. Furthermore, it offers a platform to deconstruct crafts, analyze materials and creating contemporary designs.

róng design library

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róng design exhibit - copper

Bob Chen

Shangyi Chen

Zhipeng Tan

Tadeas Podracky

Gongbiao Li

Jianye Li

Xiaochuan Zhang

Lu Jingyi & Luigi Boselli

Zhoujie Zhang

Wenjiao Shen

Chen Wei

Shenghai Wang

Wu Bie

Tay Ung

Zhipeng Tan