Artist

Visiting Scholar at the China National Academy of Painting

Art director of WULEN Art Studio

Specially Invited Artist for China Week at Paris Design Week

Publications and Media: CCTV, Home Décor, Decoration, Artifacts, Fine Arts World, etc.

EXHIBITION EXPERIENCES

2024 A universe to the rhythm of lacquer, LooLooLook Gallery, Paris

2024 The Phenomenon of Objects Sino-Japanese Art Exchange Exhibition, Beijing

Recipient of the MAISON&OBJET Design Award, Paris, France, 2024

Wandering Heart Art Exhibition at China Week during Paris Design Week, Place de la Concorde, Paris, France, 2024

DISPERSION, Contemporary Chinese Lacquer Art Exhibition, Art Museum of Fujian, Fuzhou 2023

Exhibition of Contemporary Experimental Crafts, The Crafts Museum, Hangzhou 2023

BRIGHTNESS IN AN EMPTY ROOM, Contemporary Art Exhibition, Beijing 2023

Milan Design Week FUORI SALONE 2023, Milan 2023

Eternity and a Day Contemporary Lacquer Exhibition, Shanghai 2023

SHUIYUAN-Fall Contemporary Lacquer Fair, Beijing SHIYUAN 2022

DAOXUNEIYING: Contemporary Lacquer Art, Beijing Yuan Museum

Start From the Lacquer Art: The Expression of Contemporary Forums and Concepts, Xiamen TCCA 2022

The Ordinary Object, Art Exhibition of Utensils and Equipment, Shanghai PowerlongArt 2021

DESIGN SPRING | YUAN MUSEUM Metalwork and Lacquer Art Subject, Contemporary Object Exhibition China, Guangzhou 2021

Work CHENGFENG NO.7 Series received awards for Excellence, Art Display China Crystal Kylin Awards 2019

Attitude/No Attitude Young Artists Invitational Exhibition, Art of Nature Contemporary Gallery Hong Kong 2019

Fuzhou International Lacquer Art Biennial Exhibition, Fuzhou Three Lanes and Seven Alleys 2018

Dimensions: 13×13×8.5cm
Materials: Solid wood, metal, natural lacquer, ramie, gold and silver
Year of Creation: 2025

The work "YUNJV" upholds respect for tradition and yearning for a free life. Inspired by white clouds, it is like dwelling in the sky as white clouds do, wandering with the wind, letting the mind roam freely across vast distances, without the need to rush for trivial matters, but leisurely appreciating all the phenomena of the world. The interior of the lacquer plate in the upper part forms unique textures through the ash-pulling technique, with layers of plain lacquered surfaces stacked one upon another. The metal cone base at the lower part firmly supports the lacquer plate, as if it can carry all things in the world and embrace everything.